Made at different times with different exposing light sources. NoĪttempt here to provide apple to apple comparison since the two samples were Series of test prints I hope to post made with non-dichromate sensitzers. He will be working withĪttached you will find two test prints I made with SCL 22LZ, In our testing of diazo type sensitizers my colleague and IĪre dividing the labor for our preliminary testing. Until that time the distinctive high relief look many monochrome carbon printers get with the use of single transfer to hard surface paper supports with dichromate sensitized tissue remains unique. It is possible that someone could come up with an efficient clearing agent for diazo type sensitizers for single transfer carbon prints developed on paper supports. For that reason people using diazidostilbene with carbon printing typically use double transfer, developing the relief on a plastic support, and then making a second transfer to a paper support. Diazidostilbene also gives a strong yellow stain in single transfer prints developed on paper supports. As you mention, diazo based screen sensitizers give a strong yellow (or orange) stain to virtually everything they touch, including the print. The result of his color work flow is based on following a very specific protocol, and once mastered, one would not likely abandon it without a highly compelling reason. I would assume that Tod Gangler is still using diazidostilbene (DAS) for his color carbon prints. See StencilPro™ product page - click here. Once developed the stencil is no longer sensitive to light and may be stored in clear plastic bags or any suitable storage container. Store developed film flat, do not fold or bend. For hot/humid areas store inside Opaque Storage Container and place in refrigerator or cool room. Ideal storage/ usage temperature is between 5 to 25° Celsius. We recommend storing undeveloped film inside the Opaque Storage Container for added protection against light. Always store undeveloped film in the black bag, in the dark and away from heat/fluroescent light/ direct sunlight. Properly stored StencilPro™ has a shelf life of at least 12 month. If several StencilPro™ films become stuck together do not pull them apart, soak in water for a few minutes until they come apart naturally. You should never let ink or paint dry in your screen, as this is very hard to clean without damage.Īvoid ink drying in the screen by either:Ī) Cleaning the screen (water or solvent cleaners depending on your ink type) when you pause printingī) Perform a clearing print (see website) to remove ink from design area between each print For screen printing mount to a plastic frame, for stenciling/ brushing/ spraying attach using tape. Place imaged screen into water to soak - keep away from bright light during this time. Place in sun, time according to timetable given in StencilPro™ instructions. Expose in lightĪ tight bond is required between the artwork and film, use Exposure Frame for best results. Print your design using ink jet, laser printer, photocopy, hand draw with texta or market pens - anything as long as it's opaque.Īrtwork goes face down against the shinny side of the film. No coating emulsions - no mixing sensitizer, emulsions or chemicals then waiting to dryĭevelop in water with fast exposure times (under 1 min in sunlight)ĮZIscreen Training CD with video demonstrations included No extra exposure equipment - use sunlight or inside under a fluroescent lamp. Professional 'Long Life' Squeegee supplied Magnetic Exposure Frame provides sharper imaging results There's free information sheets on advanced printing techniques including colour separations and registrations, ceramics, printing dark fabrics and loads more. You also receive FREE our exclusive EZIscreen Training CD containing video demonstrations of how a screen is exposed, developed and framed. A beginners squeegee and black fabric ink are also included. Our Basic Fabric kit comes with 2 StencilPro™ sheets and supplies to get you started instantly. Keep and reuse your screens! Yes that's right you don't have to reclaim your screens each time you would like a new design, with EZIscreen kits you can remove your StencilPro™ films, store them and reuse them - saving you $$ each time you make a screen and letting you reuse your design when every you want. No coating emulsions like Permaset, Speedball and Diazo, simply start exposing your designs instantly under sunlight. We include all the secrets, all the professional equipment, all the hints, all the tips and all the right stuff to ensure you can print any fabric you like, with any design you create! Print white, black, green, blue brown and any coloured fabric you like with our Ultra fabric kit for beginners and home printers. EZIscreen Ultra Fabric Screen Printing Kit Product Code: EZI-FABMAX
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